Similarities: Outdoor performances with FluxWagon (our mobile stage); no one turned away for lack of funds; a story featuring a sprightly ensemble, physical comedy and songs.
Differences: The audience will follow the action around FluxWagon and other spots nearby, sometimes standing and sometimes sitting; reservations are recommended; there are themes of contemplation, grief, and mystery (as well as comedy); the story is best enjoyed by ages 9-ish and up.
On September 18, all venues will be announced, and we’ll start taking reservations.
Happening just a moment from this writing, the Peripatetic Players will conclude their 2016 tour of Shakespeare or Space Wars with a weekend-long mini-festival in Port Costa, Flux Fest ’16. We’re just pleased as punch that the Players are now officially fictionally Port Costa’s resident traveling troupe of thespians, and we’re looking forward to creating all kinds of lore and faux ephemera to document our years in that fantastic hamlet.
Here’s a collage from last fall’s performance of Romeo & Juliet in Port Costa, featuring Reece Santos’s fabulous painted proscenium in the alleyway of the Bull Valley Roadhouse:
Sam Bertken steps in to guest write and interview Joan Howard and Rebecca Longworth, the producing/directing team behind “Aesop Amuck.”
A few weeks ago, I took some time after a weekend rehearsal to sit down with Rebecca Longworth and Joan Howard, the collaborative force that founded Samuel Peaches’ Peripatetic Players, winners of the 2013 Best of SF Fringe Award for “O Best Beloved,” a devised adaptation of Rudyard Kipling’s Just So Stories. Sprawled cross-legged on the mats at the Main Street Theater in the Excelsior, I got to know more about what drove them to start the company, the source of their passion for children’s theater, and why audience participation might not be something to dread.
SB: What in particular draws you to staging children’s literature, adapting them for the stage?
RL: What draws me to children’s literature… I think, because it’s imaginative and kind of magical without necessarily…
For Hatch, I created a site-specific solo piece called City Creature on the Cascades based on City Creature research and musings. It was created and staged on February 28, 2015 at Joaquin Miller Park in Oakland. Enjoy photos and what I could re-create of the script at the link to the Hatch Performance Collective’s website.