Elixir Inspirations

Take a peek inside some of what’s inspired our development of Elixir of Life, playing October 20 – November 12.

Port Costa, California

Our friends at the Bull Valley Roadhouse, Burlington Hotel, and Port Costa Conservation Society generously co-sponsored three weekends of on-site devising and research in Port Costa, California. There we had the privilege to study the history of Port Costa and the surrounding area, and to talk to residents about their experiences of living in a small community amidst the larger Bay Area.

With a generous helping of poetic license, we’ve based aspects of our characters and the town of Port Promise on stories we’ve gathered in Port Costa, and hope to honor Port Costans sense of pride in their community and sense of connection to one another in the themes of our play.

Some photos from our time in Port Costa: (l-r) examples of artist Wendy Addison’s Victorian-inspired poster designs for her shop, Theatre of Dreams; two photos (both courtesy of Wendy Addison), one featuring some Port Costans around the turn of the century; the other a circus parade through town (notice the elephant!) from the early 20th century; and the Elixir workshop ensemble outside the Port Costa School.

Crockett Historical Museum

We hear that it is also called the “Hysterical Museum”… and the wealth of artifacts, photos, ephemera, and oddities is a wonder to behold. There we were inspired by the good works and mysterious rites of fraternal orders, old pharmaceutical bottles, and the sense that storytelling can take many forms. Here’s a fun article about the museum from Roadside America. And photos we took there:

Our Collection of Images

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This is a small sampling of some of our inspirations and research… we hope you enjoy exploring them as much as we have!

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Theater Around The Bay: An Interview With Joan Howard and Rebecca Longworth

A behind-behind-the-scenes look at the inspirations for AESOP AMUCK and O BEST BELOVED…

San Francisco Theater Pub

Sam Bertken steps in to guest write and interview Joan Howard and Rebecca Longworth, the producing/directing team behind “Aesop Amuck.”

A few weeks ago, I took some time after a weekend rehearsal to sit down with Rebecca Longworth and Joan Howard, the collaborative force that founded Samuel Peaches’ Peripatetic Players, winners of the 2013 Best of SF Fringe Award for “O Best Beloved,” a devised adaptation of Rudyard Kipling’s Just So Stories. Sprawled cross-legged on the mats at the Main Street Theater in the Excelsior, I got to know more about what drove them to start the company, the source of their passion for children’s theater, and why audience participation might not be something to dread.

SB: What in particular draws you to staging children’s literature, adapting them for the stage?

RL: What draws me to children’s literature… I think, because it’s imaginative and kind of magical without necessarily…

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